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	<title>Jane Barter, Author at Rupert&#039;s Land News</title>
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		<title>There is No Riot Here: On Campus Protests and Radical Hope</title>
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		<dc:creator><![CDATA[Jane Barter]]></dc:creator>
		<pubDate>Tue, 15 Oct 2024 03:47:45 +0000</pubDate>
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					<description><![CDATA[<p>Today, I helped pack my daughter’s bags for camping. Like countless times before, there was a long list of needed items—both for her and to share with fellow campers: sunscreen, rain gear, water bottles, flashlights, craft supplies, paints, paintbrushes, Bristol board, etc. Together, we dusted off her childhood craft supplies long abandoned in some dark [&#8230;]</p>
<p>The post <a href="https://rupertslandnews.ca/there-is-no-riot-here/">There is No Riot Here: On Campus Protests and Radical Hope</a> appeared first on <a href="https://rupertslandnews.ca">Rupert&#039;s Land News</a>.</p>
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		<title>“Where the Good Way Lies”</title>
		<link>https://rupertslandnews.ca/where-the-good-way-lies/</link>
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		<dc:creator><![CDATA[Jane Barter]]></dc:creator>
		<pubDate>Sun, 28 Jan 2024 02:13:27 +0000</pubDate>
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					<description><![CDATA[<p>Image by maxim bober &#160; By Jane Barter Each of our parishes embraces reconciliation with Indigenous peoples as a value. However, reconciliation is often imagined to be something symbolic and interpersonal. Perhaps it is a change of understanding in which non-Indigenous people come to see their Indigenous neighbours in a new light and thus overcome [&#8230;]</p>
<p>The post <a href="https://rupertslandnews.ca/where-the-good-way-lies/">“Where the Good Way Lies”</a> appeared first on <a href="https://rupertslandnews.ca">Rupert&#039;s Land News</a>.</p>
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		<title>The &#8220;Beyond Van Gogh Immersive Experience&#8221;: a sadness that lasts forever</title>
		<link>https://rupertslandnews.ca/171357-2/</link>
					<comments>https://rupertslandnews.ca/171357-2/#respond</comments>
		
		<dc:creator><![CDATA[Jane Barter]]></dc:creator>
		<pubDate>Thu, 24 Nov 2022 16:23:41 +0000</pubDate>
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					<description><![CDATA[<p>This article was first published in Canadian Dimension. View the original publication here. Yesterday, I made the terrible decision to attend “Beyond Van Gogh: The Immersive Experience.” Terrible because I have become increasingly tired of digital mediation, an aftereffect of almost three years being chained to my desk on Zoom during the pandemic. And a [&#8230;]</p>
<p>The post <a href="https://rupertslandnews.ca/171357-2/">The &#8220;Beyond Van Gogh Immersive Experience&#8221;: a sadness that lasts forever</a> appeared first on <a href="https://rupertslandnews.ca">Rupert&#039;s Land News</a>.</p>
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		<title>Get Back, Yoko Ono, and the Art of Performance</title>
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					<comments>https://rupertslandnews.ca/get-back-yoko-ono-and-the-art-of-performance/#respond</comments>
		
		<dc:creator><![CDATA[Jane Barter]]></dc:creator>
		<pubDate>Fri, 22 Apr 2022 16:05:57 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Cut Piece]]></category>
		<category><![CDATA[Get Back]]></category>
		<category><![CDATA[Performance Art]]></category>
		<category><![CDATA[The Beatles]]></category>
		<category><![CDATA[Yoko Ono]]></category>
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					<description><![CDATA[<p>In 1964, two years before she met John Lennon, Yoko Ono exhibited Cut Piece, one of the earliest works of feminist performance art. For Cut Piece, Ono wore a suit and knelt on stage with only a pair of scissors accompanying her. During the performance, Ono remained still as audience members approached and cut pieces [&#8230;]</p>
<p>The post <a href="https://rupertslandnews.ca/get-back-yoko-ono-and-the-art-of-performance/">Get Back, Yoko Ono, and the Art of Performance</a> appeared first on <a href="https://rupertslandnews.ca">Rupert&#039;s Land News</a>.</p>
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