Get Back

Get Back, Yoko Ono, and the Art of Performance

In 1964, two years before she met John Lennon, Yoko Ono exhibited Cut Piece, one of the earliest works of feminist performance art. For Cut Piece, Ono wore a suit and knelt on stage with only a pair of scissors accompanying her. During the performance, Ono remained still as audience

April Magazine 2022

For April’s issue, we’re featuring stories of refugees—those who have fled their homes due to conflict and persecution. Sheri Blaylock, a member of the Portage & Area Refugee Coalition, writes about the sponsorship journey of a Syrian family, who landed at Richardson International Airport on December 8, 2021. But first, RLN

CURRENT ISSUE

In the Silence

This month, contributors to the magazine converse with silence.

In our Community Catechesis section, Phil Barnett writes about the Christian contemplative tradition and introduces readers to spiritual practices of silence. Kirsten Pinto-Gfroerer meditates on silence amid suffering—on “trusting silence” which may sit with pain. Allison Abra and Matthew Bowman are interviewed about St John’s College’s efforts to house Ukrainian refugees and the gift of enlivenment that the college’s guests have brought amidst the quiet isolation of the pandemic. Finally, Theo Robinson challenges readers to consider “silent voices,” those persons whose voices are suppressed through means subtle and direct, and consider how we might speak up for all.

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